funny people

judd apatow has had his name on nearly every big comedy that has come out in the last few years. that being said it is strange that 'funny people' is only his third time actually directing a film. his other two movies, '40 year old virgin' and 'knocked up' were well received and very funny, so i along with many others were looking forward to 'funny people.'

this film is much different than apatow's previous projects. it is much more of a serious comedy (dramedy is the term) and deals with some very dark subject matter. people expecting to go see a light-hearted raunchy tale with a standard plot will likely be disappointed.

i, however, was not disapointed with this movie. i am not exactly a fan of adam sandler's previous comedies; my favorite role of his is 'punch-drunk love.' but i found him very funny in this movie as the terminally ill comedian superstar who seemingly has it all but really has nothing. seth rogen, jonah hill, and jason schwartzman also do great jobs as up and coming comedians struggling to make it big. while watching i really felt like i was getting insight into the lives of standup comedians, and i found it rather fascinating and personal. chemistry wise, rogen and sandler both work well together on screen. it is also worth noting that apatow's choice to use spielberg's cinematographer janusz kaminski makes a world of difference in tone and seriousness when compared to apatow's previous works.

the plot of this film kept me engaged the entire way. it is both hilarious and serious all the way through. watching sandler befriend rogen while also coping with his illness and loneliness seemed satisfying enough, but then when you think the movie is winding down, almost a second movie starts where sandler attempts to reconnect with his former girlfriend who now has a husband and two kids. this portion of the movie drags a bit, because it is not as funny as the first half and the subject matter is pretty heavy at this point. however, i enjoyed it thoroughly, because like life itself, this film does not follow any set formula. it has twists and turns where the character's imperfections are illuminated. i feel that the second part of the movie is possibly where most casual fans who came to see a basic sandler comedy might be lost a bit.

i liked this film a lot. it is clearly judd apatow's best movie and one of rogen and sandler's best performances. it is quite artsy for a comedy of this nature, and i found myself thinking about it afterwards, both for the jokes and all the memorable events that occurred. i think that average moviegoers who thought the film was just ok when it finished, will find themselves liking it more and more the more they reflect upon it.